?
What is the name of the 18th-century silversmith portrayed in this painting by John Singleton Copley?
A. Benjamin West
B. Paul Revere
C. James Stuart
D. Horace Walpole
Answer: B
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Use the concluding discussion section and the knowledge you have gained from this chapter’s text and music to answer the following question. Imagine you are going to attempt a cross-cultural experience with one of the African music-cultures that you studied in this chapter. If you could travel to one the areas covered and try to understand the local music-culture, how would you approach your
task? What would you expect to encounter? What problems and barriers to understanding might you encounter? How would you overcome these barriers? (Answers will vary.) What will be an ideal response?
This term has to do with the audience’s ability to remove themselves from a work of
art just far enough so that they can contemplate it—or even judge it.
a) Spectator Aloofness b) Art Detachment c) Aesthetic Distance d) Aristotelian Remoteness e) Quasi-participation
Which of the following is a critical member of the lighting design team?
A. automation engineer B. master electrician C. assistant stage manager D. All of these answers are correct.
The ________________ faith forbids visual representations of Allah, and therefore consists of decorative motifs, and geometric or organic patterns.
a. Buddhist b. Christian c. Jewish d. Moslem e. none of these are correct