The nineteenth century artist that helped to elevate color lithography to a fine art status was _______.
a. William Hogarth
b. Bonnie Maclean
c. Barbara Kruger
d. Mary Cassatt
e. Henri de Toulouse-Lautrec
e. Henri de Toulouse-Lautrec
a. Incorrect. While an important printmaker, Hogarth did not primarily work with color lithography.
b. Incorrect. While an important figure in lithographic printmaking, Maclean did not help to elevate the status of color lithography to a fine art.
c. Incorrect. Kruger is primarily known for her work in silkscreen.
d. Incorrect. Cassatt was primarily interested in aquatint technique in her printmaking.
e. Correct. Henri de Toulouse-Lautrec was instrumental in elevating color lithography to the status of a fine art.
You might also like to view...
Which sociologist is especially known for making an important contribution to the discipline by successfully combining theory and research?
a) Mills b) Addams c) Martineau d) Merton
What formal device leads the viewers' eyes directly to Christ in Leonardo's The Last Supper?
a. the family crest b. the contrasting colors c. the white tablecloth d. the regularly spaced tapestries
Piaget’s research on moral development was based upon children
a. up to age 5. b. up to age 9. c. up to age 12. d. up to age 15.
Discuss Lorraine Hansberry's A Raisin in the Sun, written in 1959, in the context of the kind of issues that were at the center of the civil rights marches of the 1960s. Discuss As Is by William Hoffmann or The Normal Heart by Larry Kramer (both produced in 1985) in the context of the treatment and understanding of gays at the height of the AIDS crisis.
What will be an ideal response?