List the three ways to handle part writing when the root moves by fifth. Be sure to mention whether the structure changes or remains the same and all the circumstances that exist for each situation.
What will be an ideal response?
1. Keep the same structure with a common tone in one voice.
2. Keep the same structure without a common tone and move all three upper voices
in the same direction.
3. Change structure when re-do appears in the soprano line and keep a common
tone in the alto voice.
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