For Closer Look: Stained Glass at Chartres: While literacy was increasingly common in the Middle Ages, still large numbers of people remained illiterate. How might the stained-glass windows at Chartres have served the masses who were unable to read?
What will be an ideal response?
Although a beautiful decorative feature of Chartres Cathedral, the stained-glass windows also contain some of the most important scenes from the life of Jesus and symbolic images of Mary. Therefore, the windows told these important narratives through images that were accessible to anyone, regardless of literacy. Using the Revel Asset: Closer Look: Stained Glass at Chartres, responses could include the details of these images: Incarnation window, Chartres Cathedral, France, ca. 1150. The program for this window reads left to right, bottom to top, beginning with the Annunciation at bottom left. Next is the Visitation, showing Mary meeting her cousin Elizabeth. In the next row up, shepherds view the Star of Bethlehem on the left; on the right are the three wise men. The life of Christ continues up the window. Just below the arch at the top, Christ enters Jerusalem on a white donkey. The window culminates in the arch with an enthroned Mary and the Christ child in a mandorla, with angels on each side.
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Identify the statement that best describes "L'artisanat furieux" from Le marteau sans maître. a. The work synthesizes word sounds with instrumental tones to find acommon sound shared by both instruments and voice
b. There are no musical themes or motives in the normal sense. c. There is no feeling of beat or regular rhythm. d. All of these choices.
Primarily contributing to the abysmal conditions in Paris in 1848 was
a. excessive taxation. b. the potato famine. c. poor sanitation. d. an outbreak of the bubonic plague.
Grisaille is
A) gray underpainting. B) an illusory texture. C) a value scale. D) a cast shadow. E) a network of gray lines.
The baroque architectural style common in the architecture of the Roman East is characterized by
A) ?strict adherence to the Classical architectural forms developed in Greece. B) ?using the vocabulary of Classical architecture but breaking the rules of Classical design. C) ?using the vocabulary of Classical architecture but combining it with elements of Etruscan and native Roman architecture. D) ?a complete departure from Classical architectural forms bearing no resemblance to the architecture of Greece.