What factors contributed to the rise of the modern-day director?
What will be an ideal response?
The idea of the director, as we know it today, began to take shape in the late eighteenth and early nineteenth centuries in Europe. An increasing interest in "natural" behavior and in scientific precision resulted in a growing dissatisfaction with artificial acting style and the lack of a coherent approach to performance. As the plays of Emile Zola, Henrik Ibsen, August Strindberg, and Anton Chekhov begin to examine the social and biological forces that determine human interaction, the generic settings of the past were now insufficient for understanding characters within their own dramatic worlds and theatre practitioners saw the need to create specific environments for particular plays and the need for an artistic eye—a director to unify the stage elements with the play text.
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_____ Playwrights have been the most removed from the production process in:
A). 21st century America B). 17th century France C). 16th century England D). Classical Greece
Media giants outside America might buy up distribution outlets and theatre screens, and they could pour billions into Hollywood films. The early thinking was that a truly global film would need to succeed in the United States, and the film would therefore need to:
A. exploit characteristically "European" or "continental" source material. B. feature stars popular across the entire American continent, not just one or two nations. C. be in English. D. use a Hollywood-based director.
Solidifying clay in a kiln is a process known as __________.
a. firing b. throwing c. glazing d. modeling
The Renaissance began in 1401 with a competition for the commission to sculpt bronze doors for the baptistery of Florence. The subject of the entry panels was __________
a. Rebecca at the Well b. Moses and the Ten Commandments c. Solomon and the Queen of Sheba d. The Sacrifice of Isaac e. Cain and Abel