What originated in pre-Columbian Mexico and later became part of the Native American Church that included singing and the use of the hallucinogenic buttons of the peyote cactus?
A. peyote religion
B. “Trail of Tears”
C. Ghost dance cult
D. pan-Indian movement
Answer: A
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Identify the correct definition of “call and response.”
a. music making use of repeating phrases sung in a cappella harmony below the tune b. music with two themes that can reverse position, with the top theme moving to the bottom and the bottom them moving to the top c. method of performance in which one soloist sings and a group or another soloist answers d. music with a refrain and at least two contrasting sections; placement of the refrain creates symmetrical patterns e. music that involves an element of chance or whimsy of the part of the performers
Why did many jazz musicians go New York in the 1920s?
a. it was the only city where people appreciated Dixieland-style jazz b. Prohibition laws were not being enforced there, so it was a wild and lawless town c. as the entertainment capital of the United States, musicians could achieve a national presence by succeeding there d. they were following Louis Armstrong, to keep up with his latest innovations
What best describes the numerical representation of women in the music industry?
a. About equal with males b. Less numerous than males c. Less numerous than males, but about equal in the executive suite d. More numerous than males except in some performing categories
El Greco's painting style represents
A. the essence of Spanish emotionalism and religious zeal. B. the spirit of Greek art adapted to Spanish conditions. C. the restrained ideal of High Renaissance art. D. a throwback to the Byzantine style of his native Crete.