The most dominant tempo or compelling rhythm of a film results from
A. the director's stylistic impositions.
B. the pace of the dialogue and the natural rhythms of human speech.
C. the frequency of editorial cuts and the varying duration of shots between cuts.
D. the pace of the plot itself.
Answer: C
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a. Dürer's Self-Portrait b. Parmigianino's Madonna with the Long Neck c. Palladio's Villa Rotonda d. Bruegel's The Hunters' Return
What phrase is mentioned thirty-two times in Matthew, but nowhere else in the Bible?
What will be an ideal response?
In The Painter and His Model, Picasso was able to approximate the effects of mezzotint with a much simpler technique known as __________
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