In the debate among members of the French Royal Academy regarding the relative superiority of color or form, which side did Watteau favor?
A. Color (Poussinistes)
B. Form (Rubénistes)
C. Form (Poussinistes)
D. Color (Rubénistes)
Answer: D
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During the sixteenth century, ____________ was the commercial center of the southern Netherlands
A. Hertogenbosch B. Antwerp C. Amsterdam D. Bruges
Matching
29. Luis Niño a. Portrait of Charles I Hunting 30. Charles Le Brun b. The Kermis 31. Ben Jonson c. Las Meninas 32. Sor Juana Inés de la Cruz d. Volpone 33. Jean-Baptiste Lully e. Palace of Versailles 34. Molière f. San Pedro Nolasco 35. Nicolas Poussin g. Our Lady of the Victory of Málaga 36. Peter Paul Rubens h. Tartuffe 37. Anthony van Dyck i. "Au Clair de la Lune" 38. Diego Velázquez j. The Shepherds of Arcadia
Which of the following excerpts from Akhenaten’s Hymn to the Sun suggests a monotheistic, or at least a henotheistic, perspective?
a. “You reach to the farthest of those you would gather in for your Son, whom you love.” b. “Though you are far, your light is wide upon earth.” c. “Your rays strike deep in the Great Green Sea.” d. “You are majestic, awesome, bedazzling, exalted, overlord over all earth.”
How is the representation of light used in two-dimensional works of art?
A. To highlight a three-dimensional object B. To create visual mass C. To guide the narration of a piece. D. To emphasize select areas