Impressionist composers moved away from the limits of tonality by

A) using harp and percussion.
B) introducing the leitmotif.
C) enlarging the orchestra.
D) using pentatonic, chromatic, and whole-tone scales.


D

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a. Basilica Ulpia b. Pantheon c. Colosseum d. Hagia Sophia

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At one exceedingly memorable moment in this excerpt the strings are instructed to play?

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