List and explain at least three facts and/or artifacts that demonstrate the deep connection between the Nile River and Egypt’s religion, government, and culture
Please provide the best answer for the statement.
1. Egyptian culture developed along 750 miles of the banks of the upper Nile. The reliable cycle of flood and sun made Egyptian culture productive and stable over 3,000 years.
2. Egypt called itself Kemet, “Black Land,” after the rich soil left behind by the receding Nile floods.
3. The cyclical nature of the Nile’s floods, and its occasional destructive impact, was reflected in the culture’s belief in balance and its complex view of nature and existence.
4. Nebamun Hunting Birds, typical of funerary art, depicts the marshes surrounding the Nile as the source of all creation.
5. Egyptian creation stories depicted Re, god of the sun and chief among Egyptian gods, as emerging from a pile of silt created by the Nile.
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Women making communal music at a wedding in Morocco accompany themselves on a?
a. ?frame drum called a bendir. b. ?huge tambourine called a mazhar. c. ?brass tray and tin can. d. ?one- or two-stringed fiddle called a rebab.
Consider Fuller's Talking Skull. Discuss the particular aspects of human experience that this work explores, and explain the artist's struggles to achieve personal goals and connections with her cultural heritage.
What will be an ideal response?
Inseparable from the rituals for which they were made, African masks function as transformative objects that work to
A. depict a story. B. scare away evil. C. channel spiritual energy. D. illustrate musical lyrics.
Which is the best example of pietas?
a) the ghost of Aeneas’s father reminding him of his obligations despite the appeals of Dido b) Horace’s vision of the underworld after a near-death experience c) Acteon’s suffering after his transformation into a stag by Diana d) Juvenal’s admonition against women as intellectuals