Pick two of the following directors: Max Ophüls, Jean Renoir, Jean Cocteau, Jean-Pierre Melville. What were the important or influential qualities of these directors' postwar French films? In what ways did each director use visual style to complement his characteristic thematic or narrative concerns?
What will be an ideal response?
Answer may vary.
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Name the optical device within the camera that splits the white light into the three additive primary light colors
a. CCD b. f-stop c. beam splitter d. aperture
Jorge Luis Borges often merges the "real" with the imaginary so that his readers become disoriented and are forced to reconsider the relationship between __________
A. this and that B. husband and wife C. fiction and reality D. here and now E. life and death
A major papal patron during the High Renaissance who commissioned the frescoes on the Sistine Chapel ceiling was _______.
a. Pope John Paul II b. Pope Julius II c. Pope Leo X d. King Charles I e. Cardinal Giovanni de’ Medici
During the initial performances of his work, Shakespeare's actors had weeks to prepare with the complete script
Indicate whether the statement is true or false