The calm, axial, idealized form of Apollo in Apollo and the Battle of the Lapiths and the Centaurs represents:
a. the punishment of Prometheus.
b. the mastery of reasoned order over brute force.
c. defeat of the Etruscan city-states.
d. all of these.
e. none of these.
Answer: b
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The accompanying orchestra part
a. is very simple and uses few notes b. is rather complex c. contains a contrasting melody d. contains much rhythmic activity
Consider the Riace Warrior A, the Aphrodite of Melos, and the marble kouros figure of c. 580 B.C.E. Identify the cultures in which these works were made and describe how each of the works depicts the human figure. How did their sculptors use design elements and principles in each work? How do the differences in these works exemplify the changing perceptions of the idealized human form?
What will be an ideal response?
Vanitas paintings meditate on what subject?
A. The fleeting nature of earthly life and happiness B. The vanity of the viewer C. The vanity of the artist D. The importance of holding on to worldly life
The frame of the screen defines the
A. auditorium. B. world of the film. C. real world. D. length of the shot.