Discuss the trend of 18th-century Romanticism and give examples of the stylistic characteristics, selecting an artist and his or her artwork as an example. Consider how European and American artists differed in their approach to Romanticism.
What will be an ideal response?
Romanticism was not so much a style as a set of attitudes and characteristic subjects. The 18th century is sometimes known as the Age of Reason for its leading thinkers placed their faith in rationality, skeptical questioning, and scientific inquiry. Rebelling against those ideas, Romanticism urged the claims of emotion, intuition, individual experience, and the imagination. Romantic artists gloried in mysterious or awe-inspiring landscapes, picturesque ruins, extreme events, and exotic cultures. Eugene Delacroix, the leading painter of the Romantic movement, was fascinated by the exotic cultures of North Africa and created numerous paintings depicting scenes that were part of this "Oriental" realm. American Romantic artists concentrated on the landscapes around them, carrying an almost mystical reverence for the natural beauty of the unspoiled land itself.
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a. It covers the flat surface with ground. b. It pushes the ink through the screen. c. It submerges the plate in an acid bath. d. It carves gouges and grooves in the matrix.
"Beat-mix" was a term used by disco disc jockeys to refer to overlapping the endings and beginnings of two recordings while keeping the drum beat consistent.
Answer the following statement true (T) or false (F)
Identify a true statement about Structural filmmakers.
A. They overlooked the participatory relation existing between viewers and the films that the viewers saw. B. They focused on shocking subject matter. C. They concentrated the spectator's attention on a nonnarrative shape that organized their films. D. They made cult films that played campus film societies.
In the seventh century, the capital of Islam had been transferred from Mecca to Damascus by the ____
a. Ottoman Turks b. Mamluks c. Arabs d. Umayyads