What is the texture at the moment of the piano's first entrance in Mozart's Piano Concerto in A Major, K. 488?
a. orchestra and piano on equal footing
b. orchestra supporting piano
c. piano supporting orchestra
d. piano alone
D
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Tintoretto's The Miracle of the Slave uses a Mannerist style of space in
a) the sharply foreshortened St. Mark, who descends from above. b) the composition defined by two parallel, expressive, sweeping curves. c) the symmetrical arrangement of the crowd surrounding the saint. d) a composition defined by a square and a triangle.
The Sydney Opera House owes a stylistic debt to the architecture of ____
a. Solomon Guggenheim b. Frank Lloyd Wright c. Joern Utzon d. Charles Garnier
From 1966 to 1971, the Cuban directors simply mimicked the European art cinema.
Answer the following statement true (T) or false (F)
The predominant theme of Rococo paintings was the
a. pursuit of pleasure. b. nobility of patriotic self-sacrifice. c. dignity of the common peasant. d. ubiquity of death and suffering.