In Michelangelo Antonioni's Red Desert, the garish colors of factory vats, pipelines, slag heaps, poisonous yellow smoke, and other parts of the setting
A. are used stylistically to invoke a specific historical period.
B. serve as a symbol that reflects the thematic core of the film.
C. serve primarily as a transitional device.
D. are used expressionistically to reflect the inner reality of the main character.
Answer: D
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Identify the key for each of the following exercises. Add inner voices and a roman numeral analysis. On the first line(s) below each exercise, name the cadence or cadences. On the lines that follow, identify the features of the chord progression that differ from the normal circle of fifths progression. These features include truncated progressions, chord substitutions, retrogressions, unusual chord qualities, and so on. The correct number of lines are provided for each exercise.
According to WOM, how do the musicians approach their performance of the music?
What will be an ideal response?
Name the term that carries the final video or audio output
a. line-out b. preview-out c. input d. key
Which of the following sound techniques did director Alfred Hitchcock NOT use in his first sound film, Blackmail?
A. "voice-of-God" narration B. subjective speech C. sound bridge D. postdubbing