Describe what happened to English and European theatre in the late eighteenth and early nineteenth centuries, as
the rules of neoclassicism began to give way.
What will be an ideal response?
ANSWER:Theatre
began to embrace variety over unity
The period witnessed new forms that lay outside the traditional comedy and tragedy
genres.
England developed a new form, ballad opera, which incorporated in an otherwise spoken
drama musical numbers set to melodies of well-known tunes such as ballads or popular
songs? similarly, France established the opéra comique and Germany the Singspiele.
Pantomime became popular.
Romanticism developed.
Instead of eliminating details to arrive at norms, as the neoclassicists had done,
playwrights believed they should embrace such details in all of their variety.
Writers showed a marked preference for poetry about nature and drama about unspoiled
human beings living in primitive times or in rebellion against restraints imposed by society.
The writer-genius was glorified.
Melodrama developed.
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The most renowned of the absurdist playwrights, the author of Waiting for Godot and Happy Days, is
a. Eugène Ionesco b. Albert Camus c. Harold Pinter d. Samuel Beckett e. Dario Fo
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A) The music of silent films was background only; it wasn't related to the action of the film. B) Silent films produced employment opportunities for musicians. C) Max Winkler catalogued classical music according to its effect on the dramatic elements of a silent film. D) It was uncommon for a silent film score to feature the music of just one composer.
Becoming one of the most important stops on the Grand Tour, Cardinal Albani built the Villa Albani to _____________
A. find an artistic style to reflect Enlightenment ideals B. display his vast collection of antique artifacts C. promote the industrial revolution D. support Romantic ideals