By the seventeenth century, it was common for the church organist to play a four-part harmonization while the congregation sang the chorale melody, just as in most Protestant churches today.
Answer the following statement true (T) or false (F)
True
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Which of the following can be inferred from the line “no one laughs when a girl is born” in Fu Xuan’s poem “To Be a Woman”?
a. Women were not valued as highly as men were. b. The birth of a girl was a solemn occasion. c. Silence was strictly enforced during a woman’s labor. d. Parents were especially proud after the birth of a daughter.
Blue notes
A. intentionally sound “out of tune.” B. may indicate both a major and minor third. C. bend, slide into, the pitch. D. all of the above
Renaissance humanist in Italy
Because Reynolds depicts the subject as an allegorical figure in his Allegorical Portrait of Sarah Siddons as the Tragic Muse and his composition recalls Michelangelo's Sistine Chapel ceiling figures, we find that Reynolds is aspiring to the ____________
what style is this!