When a critic asked French New Wave director Jean-Luc Godard if he believed that a movie should have a beginning, middle, and end, the iconoclastic filmmaker replied:
A. “But of course.”
B. “Absolutely not.”
C. “Yes—but not necessarily in that order.”
D. “Yes—and preferably in that order.”
Answer: C
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When considering context for The 400 Blows, which of the following is useful to
consider?
a. Truffaut’s biography b. Truffaut’s other films c. the films of the French New Wave d. all choices are correct
How does the imperial complex at Persepolis represent the multicultural style of art and architecture of the Persian empire?
What will be an ideal response?
The way in which this composition begins furthermore serves to?
a) there was no non-musical purpose to this section b) allow the reigning monarch to enter the hall c) allow the reigning monarch to exit the hall d) silence the audience
In both the Iliad and the Odyssey, peoples’ life choices are controlled by
a. Zeus, king of the gods. b. Ares, the god of war. c. Athena, the goddess of wisdom. d. the people themselves.