Late twentieth-century film producers did not continue the practice of using preexisting music in film scores.
Answer the following statement true (T) or false (F)
False
Filmmakers continue to use preexisting music in their films, including Stanley Kubrick in his 2001: A Space Odyssey.
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In the 1950s, Miles Davis was at the cutting edge of musical developments in all of the following styles except
a. cool jazz b. hard bop c. modal jazz d. funky/soul jazz
Describe the types of jobs found at a radio/TV commercial production house, and discuss what positions are staffed by in-house employees and what others are usually filled by outsiders on a per- project basis.
What will be an ideal response?
Playwrights have been the most removed from the production process in which era?
a. Before the fourth century B.C. b. The sixteenth century c. The fifteenth century d. Since the nineteenth century
The cube in the foreground of Raphael’s The School of Athens is rendered in __________.
a. diminishing size b. closed form c. intermediary hues d. two-point perspective