You're in a US theatre just after WW II, and you're looking on a stage that is much simpler that you're accustomed to seeing
Rather than the usual detailed scenery, you're seeing a simplified setting that is suggestive rather than literal, one with several levels, partial walls, and a large piece of sculpture upstage center, a piece that suggests an angel, or perhaps an abstract sculpture, on which light plays continuously through the evening, changing color, intensity, angle. You are almost certainly at a production under the direct influence of: a. Appia and Craig
b. Ibsen
c. New Stagecraft
d. Theatre of Cruelty
e. Both a and c
E
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For what two primary reasons must directors guard against typecasting?
A. The expectations of established actors and production professionals and the expectations of moviegoers who want the same popular fare B. Their own personal fear of changing style or subject and conservative thinking by studios and production companies C. Their own personal fear of changing style or subject and the expectations of established actors and production professionals D. The expectations of moviegoers who want the same popular fare and conservative thinking by studios and production companies
Which of the following aspects of Frank Lloyd Wright's design for Fallingwater evoked the great slabs of natural rock of the surrounding cliff?
A. cantilevered terraces B. the fireplace C. the pool D. the glass doors
What are light cues?
A. A list of all the light changes that will happen over the course of the production B. A chart of any of the gobo and/or colored gels that a designer intends to incorporate into a production C. A chart of the placement of the lighting instruments that will be used in a production D. A list of the types of lighting instruments the designer intends to utilize in a production
What is Rent?
What will be an ideal response?