The 18th-century Indian painting of Maharana Amar Singh and others watching musicians and acrobats utilizes the two most basic visual cues for implying depth on a flat surface. They are:
A. chiaroscuro and hatching.
B. atmospheric perspective and foreshortening.
C. implied line and a vanishing point.
D. position and overlap.
E. None of these answers are correct.
D
The characteristic flatness of Indian paintings uses position and overlap to create depth in the composition.
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