The master printmaker of the sixteenth century was
a. Erasmus.
b. Bosch.
c. Cranach.
d. Dürer.
Answer: d
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What is a cantus firmus? a. A canon that endlessly circles back to the beginning. b. The highest vocal part in a polyphonic composition; later known as thesoprano part
c. A musical technique in which two or three voices engage in voice exchange. d. A well-established, previously existing melody, be it sacred chant or secularsong, that provides a structural framework for a polyphonic composition.
The ________________ of Giambologna's Capture of a Sabine Woman (21-37) encourages viewers to explore it
A. Classical goddess B. contrapposto pose C. spiraling composition D. detailed rendering of the drapery
Although Dada artists did not share a particular style, they generally embraced _____
a. the use of traditional media b. the element of absurdity c. easily comprehensible subjects d. medieval craft techniques
The poetic and musical form of the blues was popularized in the early years of the twentieth century through the publication of Memphis Blues and St. Louis Blues, composed by ________.
A. Louis Armstrong B. King Oliver C. Bessie Smith D. William C. Handy