Pick two of the following directors: Akira Kurosawa, Federico Fellini, Michelangelo Antonioni, Satyajit Ray. For what purposes did these directors use social criticism in their films? How do these instances of critique mesh with their characteristic themes and concerns?
What will be an ideal response?
Answer may vary.
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The likely time of the first complete collection reissues was
a. late 1950s b. late 1960s c. late 1970s d. late 1980s
When a white director staged August Wilson's Joe Turner's Come and Gone in a 2009 revival
a. it was a flop. b. some African-Americans in theatre protested because the director was white c. the director changed the sex of two main characters d. the playwright's widow objected to the revival e. all of the above
Based on your textbook’s discussion, what does Richard Serra mean when he describes drawing “as a place where I can get lost . . .”?
a) He can experiment and work out his creative ideas. b) He works so quickly he can’t keep track of what he’s doing. c) He finds drawing to be frustrating and difficult to complete. d) He enjoys building up tones to create effects of space and volume.
In the Four Rivers Fountain, Gianlorenzo Bernini intended the obelisk to represent
A. the triumph of the Roman Catholic Church over the world’s rivers. B. Holy Roman Emperor Ferdinand III’s defeat of Egypt. C. the domination of the Roman Catholic Church over paganism. D. the Roman Catholic Church’s position as the center of the world.