Antonin Artaud expressed his major ideas about the Theatre of Cruelty in:
a. the book The Variety of Theatre
b. the play Marat/Sade.
c. the book The Theatre and Its Double.
d. a Living Newspaper play.
c
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The tempo in this selection?
a. ?changes from one verse to the next, signaled by the lead guitar player. b. ?speeds up gradually, as in all dangdut songs. c. ?remains essentially the same throughout the entire selection. d. ?slows down gradually for a change in irama level.
Describe the shishi-mai. What is its purpose?
What will be an ideal response?
The principal domain of women's dance in the Arab world is
A. the nightclub. B. the concert stage. C. domestic gatherings. D. the cinema.
Duke Ellington's audiences at the Savoy Ballroom in New York around 1940 were notable for being
a. mostly lower class. b. exclusively African American. c. racially integrated. d. opposed to Prohibition laws.