Compare and contrast two of the three following young cinemas: China's Fifth Generation, the Hong Kong New Wave, the Taiwanese New Wave. What factors enabled the directors working within these movements to break into filmmaking? In what ways did the foremost directors in each country deviate from the narrative and stylistic conventions of earlier trends or of contemporaneous popular genres? What factors contributed to the decline of these young cinemas?
What will be an ideal response?
Answer may vary.
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Which of the following was NOT included under Parliament's Bill of Rights?
a. No Catholic could ever rule England. b. No Puritan or Roman Catholic could attend university. c. No non-English monarch could rule England. d. No British king could marry a Catholic.
Around 2001, identify a true statement about film publicity and marketing.
A. Several unofficial fan sites were targeted and shut down by studio lawyers. B. Films' official websites became more entertaining and participatory. C. Security was tightened on the sets of projected tentpole films to keep out "spies." D. The Majors' parent companies began buying web portals and Internet service providers.
The subterranean networks of galleries and chambers designed as cemeteries for the early Christian dead are called
A) ?sarcophagi. B) ?aulae. C) ?confraternities. D) ?catacombs.
Which feature of this image might be compared to Byzantine practice?
a) the “iconoclastic” erasure of each figure’s head b) the emphasis upon color in the composition c) the naturalistic representation of figures d) the use of reverse perspective