________, in his often-painted Pope Innocent X, created a logo for despiritualized modernism, looking back to Munch, Eisenstein, and Picasso
A. Eliot
B. De Kooning
C. Frost
D. Bacon
D
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The totem pole is typical of the people of the Northwest Coast
Indicate whether the statement is true or false.
Impressive celadon ceramics were produced during which of the following periods?
A. The Great Silla dynasty B. The Yi dynasty C. The Goryeo dynasty
In the nineteenth century, Japanese prints began to influence European painters, particularly in their
a) flattening of space between foreground and background.
b) use of two-point linear perspective.
c) experimental techniques of verisimilitude.
d) exaggerated negative space.
Long lyrical melodies, melismatic text setting, and rich polyphonic textures
a. made text more clearly understood. b. ran the risk of obscuring the text to be sung. c. were outlawed completely by the Catholic Church. d. made printing difficult.