Why might a playwright use serial structure?
What will be an ideal response?
A play with a serial structure is composed of a series of scenes that do not follow a continuous story or even include the same characters. A playwright might use the form for popular entertainment—for example, to provide many different types of acts, such as jugglers, singers, dancers, or magicians, on the same bill. Playwrights might use the structure to give a varied perspective on a subject through the juxtaposition of characters and events rather than through the progression of a single story. Anna Deveare Smith uses this structure in Fires in the Mirror to present the Crown Heights riots from the points of view of numerous people. A playwright can use serial structure to explore a particular theme through a mixture of styles and forms. In The Colored Museum, for example, George C. Wolfe offers a variety of perspectives on how African Americans express racial identity in a world saturated with imposed cultural definitions.
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How does convergence affect production techniques?
A) it may alter the medium requirements B) it necessitates a large amount of production C) it necessitates a large amount of postproduction D) it means all programming must go to one place E) it means that all creative personnel must agree
Which is NOT a feature of Bruni's tomb?
a. Its sculptor was Marzocco. b. Lions are a part of its iconography. c. It merges Christian and Classical motifs. d. The effigy of Bruni lies on a bier.
How is the Hellenistic period different from the Classical period?
a. Art, especially sculpture, became more expressive and less idealized. b. Luxury items were produced exclusively for Greek patrons. c. The artistic style shifted towards rationalism, clarity, and emotional restraint. d. Art and architecture was practical and often intended for public works projects.
Which of the following is not an option for changing sets during a performance in a thrust or arena theatre?
A. Set changes can be performed by costumed actors in a choreographed manner that makes them integral to the play. B. The main curtain can be lowered, allowing set changes to occur without an audience seeing the changes. C. Actors can change the set in a neutral persona rather than portraying one of their characters. D. The lights can be dimmed for set changes.