Discuss the characteristics of five forms of comedy and cite specific examples of each
What will be an ideal response?
• Satire contains topical humor that attacks the follies or institutionalized vices of a particular society. It is a form that is marked by irony and wit, and that usually has a moral or critical point of view. Examples include the plays of Aristophanes, The Colbert Report, and the musical Bloody, Bloody Andrew Jackson.
• Situation comedy is concerned with eternal social problems. Often situation comedies turn on a ridiculous premise, and chance or accident leads to plot complications. The chaos is always happily resolved in a comic denouement. Examples include the plays of Menander and Plautus, and weekly television sitcoms.
• Farce uses broad slapstick humor, extreme situations, and superficial characterization. Its plots are intricate and carefully planned plots, woven out of misunderstandings and coincidences, and based on a far-fetched premise. Examples include the plays of Victorien Sardou and Georges Feydeau; Michael Frayn's Noises Off; and Ken Ludwig's Lend Me a Tenor.
• Romantic comedies center around the relationships between sympathetic young lovers whose destiny in marriage meets with obstacles to fulfillment. They inevitably end in consummation of the promised love in marriage. Examples include Shakespeare's comedies such as As You Like It, Twelfth Night, Much Ado About Nothing, and Love's Labour's Lost.
• Comedies of manners make fun of ridiculous social mores or practices and the people who engage in them, painting a pointed portrait of contemporary trendy society. Examples include plays by Molière, William Congreve, and George Wycherly; Oscar Wilde's The Importance of Being Ernest; and, more recently, Yasmina Reza's God of Carnage.
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The scholar and Christian humanist __________ refused to support King Henry VIII's split with the Roman Church
A. Philip II B. Thomas More C. Charles V D. Mary of Hungary E. Eleanor of Aquitaine
How many independent voices are used in "Since Robin Hood?
a) one b) two c) three d) four
To "rag" a melody is to
A. vary the tune. B. change the form. C. syncopate the rhythm. D. enrich the harmony.
Shots in which a filmmaker prefers bumpy over smooth camera movements are usually created
A. in the postproduction phase. B. by the operator deliberately jerking the camera up and down rapidly. C. with a camera mounted to a dolly. D. by the operator walking with a handheld camera.