How did Louis Armstrong change jazz?
a. He led a big band that made jazz popular with white audiences.
b. He invented cool jazz.
c. His unique improvisations paved the way for the later emphasis on solo playing.
d. He emphasized live performances by refusing to record albums.
c
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Cite the different roles that the following areas of the brain play in the performance and perception of music: temporal
lobe, frontal lobe, parietal lobe, occipital lobe, amygdala, and hippocampus.
What will be an ideal response?Hatching and cross-hatching are ways of turning line into
a) volume. b) color. c) atmospheric perspective. d) wash.
A strong design concept
A. is important when the time and place of a play have been shifted. B. should compliment the directorial concept. C. is a unifying idea carried out visually. D. all of these.
Echo bounces once and reverberation bounces a number of times
Indicate whether the statement is true or false