Explain how choreographer Agnes de Mille used movement in the musical Oklahoma!. What was revolutionary about it and what great actor/dancer/choreographer of the 50s did she greatly influence?
What will be an ideal response?
Answer: The ideal answer should include:
1. Though primarily a stage choreographer, Agnes de Mille revolutionized the American movie musical by introducing lengthy ballet sequences.
2. Often these ballets developed the story and deepened the characterization.
3. For example, in the famous “dream ballet” sequence in Oklahoma!, de Mille used the ballet dance as a projection of the heroine’s anxieties.
4. Like many dreams, it combines concrete realistic details with symbolic stylizations into a surrealistic space that’s both familiar and strange.
5. Agnes de Mille exerted an enormous influence on film choreography, especially the work of Gene Kelly.
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