The Otobo (Hippo) Masquerade (fig. 22.10) was created by the contemporary artist __________
Fill in the blank(s) with correct word
Sokari Douglas Camp
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Which philosopher used the fate of Sisyphus as an analogy for the absurd human condition?
a. Jean-Paul Sartre b. Sigmund Freud c. Simone de Beauvoir d. Albert Camus
All of the following were true regarding the Romantic period around the turn of the nineteenth century except
A. "monster," grandiose performances were greatly appreciated. B. the range of volume increased significantly as composers called for the very softest and very loudest effects. C. oratorios were sometimes given festival performances with over five hundred people participating. D. even as music performance moved from the private chamber to the public concert hall, the quality and quantity of music remained unchanged.
What inspired Picasso to create his groundbreaking painting known as Les Demoiselles d'Avignon?
a. Heavy machinery b. African and Iberian art c. Japanese art d. Prehistoric cave paintings e. Nature
The most characteristic feature of baroque music is its use of ________.
A. basso continuo B. monophonic texture C. gradual dynamic changes D. simple singable melodies