The sequence is:
a. a relatively short chant with a small number of phrases, often four, and arather narrow vocal range; they are invariably strophi
c.
b. an addition of music or text, or both, to a preexisting chant that more fullyexplains the theology of the chant to which they are added.
c. the first of the two melismatic, responsorial chants of the Proper of the Massthat are sung
between the Gloria and the Credo; it consists of two parts: arespond and a psalm verse.
d. a chant sung on high feasts during the Proper of the Mass immediately afterthe Alleluia, in which successive lines of text were paired into double verses.
d
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The African-Ecuadorians from the Chota River Valley
A. play a hybrid music B. play landó drinking songs C. avoid using syncopations D. all of the above
The esteem of artists changed in the Renaissance when they came to be seen as __________.
A. geniuses with special gifts B. laborers with God-given technique C. scholars with intellectual talents D. craftsmen with added tekne
Baroque suites were composed only for the harpsichord.
Answer the following statement true (T) or false (F)
Briefly recount the “rags-to-riches” story of Akkadian ruler Sargon I. Then, describe a similar “rags-to-riches” story from a different culture with which you are familiar, and suggest reasons this particular narrative genre has such staying
power. Please provide the best answer for the statement.