How did Soviet economic control change in the post-war years under Stalin?

What will be an ideal response?


The Soviet economy under Joseph Stalin focused on what was known as the command economy, in which centralized planning focused all effort by and to the state. Labor forces were directed by the state to produce quotas of agriculture, heavy metals, military equipment, etc., and all forces were marshaled to organize this production, including collectivization of agriculture. However, in the post-war years, as the Soviet Union extended its control over the eastern European satellite states, rather than have each country work under its own command economy, central economic planning from Moscow instead organized the satellite states into regional specializations, thus emphasizing growth as a collective whole, rather than allowing any one country in the eastern bloc to gain economic autonomy. Since East Germany, Poland, and Czechoslovakia all industrialized earlier than their counterparts in the east, emphasis in these regions was on production of manufactured goods, while in Hungary, Romania, and Bulgaria, the emphasis remained on raw materials and agricultural production.

History

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Even before direct American involvement, the United States was linked to the Allies' cause

a. as a result of Russia's hostility to American trade with Britain. b. due to the presence of U.S. Marines on Allied warships. c. because of the valuable loans that banks had issued to Allied nations. d. as a result of Germany's refusal to follow the Declaration of London.

History

The average Northerner lost interest in Reconstruction once it became reasonably certain that the former slaves

A) had economic security. B) were guaranteed the vote. C) would not be re-enslaved. D) were guaranteed social equality.

History

Which of these eras saw the most dramatic growth of the Atlantic slave trade?

A) 1500s B) 1600s C) 1700s D) 1800s

History

Modernism in the arts sought to do all the following EXCEPT

a. denying objectivity. b. enabling the audience of whatever kind to participate in the creative process. c. rearranging reality. d. conveying how the artist transforms what he encounters. e. denying the inner reality of the artist.

History