In his David, how does Michelangelo break away from the self-containment of earlier standing statues?

A. Having him hold a rock
B. Turning his head toward adversary
C. Giving him a weigh-shifting pose
D. Shifting focus to the figure's hair and face


Answer: B

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a. mellow and subtle. b. dense and intense. c. smooth and lyrical. d. danceable and catchy.

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One of the complaints about pictorialism is that it was:

What will be an ideal response?

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