In his analytical history of the Vietnam War, In the Year of the Pig, engaged filmmaker Emile De Antonio:
A. edited footages from Hollywood feature films about the war in Vietnam.
B. cues spectators what to think about the images through voice-of-God narration.
C. adheres to the continuity rules of classical Hollywood filmmaking.
D. uses one interview to contradict another.
Answer: D
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Which of the following is true about using the various compositional modes for electronic media?
A) When writing reference material, organize your material in a way that discourages skimming. B) To be an effective commenter, focus on short chunks of information that a broad spectrum of other site visitors will find helpful. C) Teasers are effective ways of generating readers' interest and must be used extensively to help your material stand out from the clutter. D) Conversational modes are best suited for communicating reports with large amounts of factual information. E) Avoid using phrases such as "for beginners" or "advanced level" in the titles of your tutorials as doing so will alienate readers looking for different learning levels.
The ophicleide, used in Berlioz’s Symphoniefantastique, is:
a. the predecessor of the saxophone b. an extraordinarily large pair of timpani c. a smaller version of the flute d. an early form of the tuba e. a large double bass that requires two musicians to play
emphasis on tone color rather than melody absence of most percussion and brass instruments dreamy and atmospheric lack of strong rhythmic impulses program music (music that tells a story) non-functional progressions (also - interest in writing music with water themes)
What will be an ideal response?
The Aryans were responsible for bringing to India the
a. notion of enlightenment. b. art of poetry. c. wheelbarrow. d. caste system.