What were some of the features of this new hybrid music? How can this type of music be considered “culturally authentic”?
What will be an ideal response?
• Traditional pieces such as "Great Waves Washing the Sand" (see above discussion of the musician Abing) became fixed in detailed notation and more identified with a composer or arranger; musical instruments were redesigned to play equal-tempered (Western) tuning, produce more volume and cover a wider range; contemporary performance contexts—recital, recording studios, broadcasts, and Western-style classes at schools and music conservatories; earlier practitioners of older traditional music were dismissed as "crude and out of tune"; new genres were created, e.g., the urban entertainment genre called Cantonese music.
• "For their part, the musicians concerned may see the adoption of technology like the electric guitar or staff notation as no more than an essential process of keeping up with the times." Thus, their music remains culturally authentic and relevant.
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The most significant "Roman style" development in architecture is the use of the __________ as a structural element
A) buttress B) pilaster C) brick D) column E) arch
Which of the following spurred the Irish music revival of the 1960s?
A. increased prosperity in Ireland. B. renewed interest in older music traditions on the part of young musicians. C. fear of culture loss. D. all of the above.
_____ is necessary as an exercise in understanding
a. Value b. Criticism c. Wisdom d. Compromise
Directors and composers adapt familiar music for their scores for the most part because it is more efficient and economical than writing original music.
Answer the following statement true (T) or false (F)