Briefly discuss the big bands of the swing era. Focus your discussion on the contributions of Duke Ellington, Count Basie, and Benny Goodman.
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Edward Kennedy “Duke” Ellington (1899-1974)pianist, composer, band leaderthe Ellington sound: unique use of instrumental colordue to the imagination of Ellington himself (in addition to writing partner from 1938, Billy Strayhorn)due to the individual players in his bandbroad range as a composerinstrumental (primarily) and vocal musicpioneered writing more complex works for jazz ensemble Count Basie (1904-84)Kansas City “jump” stylehard-driving beatCount Basie called it “four heavy beats to a bar, and no cheating.”closely akin to the drive of boogie-woogieremembered more for his piano and band-leader skills than as a composer Benny Goodman (1909-86)white clarinetist and band leader (big bands and small)formal music education: played both classical and jazz stylesacknowledged his African American jazz heritagemany of his arrangements: Fletcher Hendersonamong them, guitarist Charlie Christianone of the first to incorporate black musicians in his ensemblesbrought jazz to a new level of popularity and acceptance as dance music
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In the book of Numbers where do the Israelites wander for forty years as a result of their disobedience to God?
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Interior spaces in early Christian churches were usually embellished with which of the following?
A. mosaics B. statuary C. relief sculpture D. painted murals
At the Temple of the Feathered Serpent, each relief with goggle eyes and a scaly face portrays __________.
a. mana b. the storm god c. aumakua d. the chi wara
What repertoire became a mainstay for jazz musicians in the 1980s?
a) Collections of standards b) Original compositions c) Ragtime tunes d) Pop tunes