Angkor Thom (fig. 20.19) depicts colossal images of __________ facial features

Fill in the blank(s) with correct word

Jayavarman VII's

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What objects from an Igbo-Ukwu tomb seem to have been used as a form of currency?

A. Bowls B. Elephant tusks C. Beads D. Pendants

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Which of Bacon's categories of false notion is derived from an individual's particular education, upbringing, and environment, and includes one's religious faith?

a. Idols of the Tribe b. Idols of the Market Place c. Idols of the Cave d. Idols of the Theater

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Which of the following architectural features is NOT visible in this photograph of the Taj Mahal?

The Taj Mahal is shown. It is made of white marble and is immense. The mausoleum is raised above the ground on a rectangular platform, also made of marble. Four large round columns are at the corners of this platform. The mausoleum itself consists of five rectangular sections. The largest in the middle, a slightly smaller section on the sides, and the narrowest sections on the outside. Large rounded domes are on top of the three innermost sections. Arches are carved into each of these rectangular sections. The center section has an arch that is two stories high. The other four sections each have two smaller arches carved into them; one on the top and one on the bottom. Shadows and light are seen inside all of these arches. Intricate carvings are visible throughout the Taj Mahal: on the platform, the different sections, the domes, and the round columns.

a. A large central dome
b. A triangular roof feature, or pediment, in the classical style
c. Corner towers, or minarets
d. Pointed arches

4. Which of the following statements best describes the Taj Mahal?
a. Recessed arched niches in the walls create plays of light and shadow.
b. Each level of the Taj Mahal features a different color.
c. The exterior walls of the Taj Mahal are solid and flat.
d. The design of the Taj Mahal and gardens is asymmetrical.

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How did Beethoven create works of unprecedented scope and depth?

a. by combining popular and classic musical idioms b. by expanding the number of acts in an opera c. by attaching narratives to some of his purely instrumental works d. by writing detailed notes to go along with all of his compositions

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