To what extent does the music of Nobuko Miyamoto and Fred Ho reflect Asian activism?
What will be an ideal response?
- They both fused traditional Asian instruments and performance practices with what are accepted as quintessentially American styles.- Miyamoto i. Japanese1. Japanese drums (taiko), heard at the beginning2. shamisen, dry, percussive sound ii. American1. Acoustic bass (plucked)2. Swing rhythm (jazz influence; Miyamoto is a jazz vocalist)iii. intermingling of Japanese and English lyrics- Ho i. Chinese1. folk songs2. instruments:a. erhu (a two-stringed fiddle)b. p’ip’a (a plucked lute)c. Several percussion instruments ii. American 1. elements of jazz- In short, their music arguably challenges accepted notions of what constitutes American music.
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