Describe the role of the Silk Road in promoting the exchange of culture
Please provide the best answer for the statement.
The ideal response would include the following:
Both goods and ideas spread along the Silk Road. As early as the first century BCE, silk from China reached Rome, where—its manufacture a secret—it captured the Western imagination. Between the first and third centuries CE, Buddhist missionaries from India carried their religion over the Silk Road into Southeast Asia, China, and Korea, where it quickly became the dominant religion. By the last half of the first millennium, the Chinese capital of Chang’an, at the eastern terminus of the Silk Road, hosted Korean, Japanese, Jewish, and Christian communities, and Chinese emperors maintained diplomatic relations with Persia. In 1275, the Venetian merchant Marco Polo crossed the Asian continent on the Silk Road. He arrived at the new Chinese capital of Beijing and served in the imperial court for nearly two decades. His Travels, written after his return to Italy in 1292, constitute the first eyewitness account of China available in Europe.
Learning Objective: 7.3 Describe the Hindu and Buddhist faiths and how they helped to shape the cultures
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Which of the following mainstream musicians was NOT known for utilizing international styles in their music?
A. David Byrne B. Brian Eno C. Paul Simon D. Peter Gabriel
Portrait of Friends in the Wings of the Opéra (Ludovic Halévy and Albert Boulanger Cavé) (fig. 8.10) is a portrait of the friends of __________
Fill in the blank(s) with correct word
Adam Smith, author of The Wealth of Nations, was a proponent of laissez-faire, a policy that might be described as which of the following?
A. In economic matters, people should be free to do whatever they might to enrich themselves. B. Importation of raw goods back to England should be prohibited. C. The emerging tobacco industry should be the basis for cash economy. D. Independence from England would cause catastrophic effects on the stability of the colonies.
Who was NOT a prominent Kansas City bandleader in the 1920s and early 1930s?
a) Erskine Tate b) Benny Moten c) George Lee d) Andy Kirk