_____The term “blocking” refers to:
A). Establishing the performers’ movements from place-to-place and their bodily position
B). The scheduling of rehearsals in long time segments
C). The director’s use of invented obstacles to heighten the emotional frustration of a character
D). All of the above
E). None of the above
A
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What famous building illustrates “the remarkable integration of characteristics indigenous to India with elements derived from the Islamic world of Persia and beyond”?
What will be an ideal response?
You are writer for a theatrical magazine, and your editor asks you write an article about Lighting Designers. In the article your editor wants you to discuss the various goals of the Lighting Designer
After some research, you compile a list of common goals for lighting designers that consists of providing visibility for the show, creating a mood for the scene, establishing the environment or setting, and giving the look and aesthetic value. Your editor looks over the list of goals and asks you if, in most shows, one goal is more pragmatic to complete before addressing the others. Knowing what you have learned, you would most likely respond that __________would be the most pragmatic to complete for most shows.A. Providing visibility for the show B. Creating a mood for the scene C. Establishing the environment or setting D. Giving the look and aesthetic value
According to Mircea Eliade, within traditional societies objects such as the Bwa mask acquire meaning because they participate in:
a. a ritual that links seasonal cycles to the cosmos. b. the inter-tribal warfare. c. the blessing of a new building. d. all of these. e. none of these.
What's a scrim?
A. A painted backdrop used to set locale B. Fabric draped across the stage to isolate action or conceal actors C. A thin, gauzy piece of material stretched across a frame used for various purposes D. A wooden or metal frame on which canvas has been stretched and then painted