Matching
29. Honoré de Balzac a. The Raft of the Medusa
30. Gustave Courbet b. Le Boulevard du Temple
31. William Henry Fox Talbot c. Sketches by Boz
32. Eugène Delacroix d. The Stonebreakers
33. Charles Dickens e. The Turkish Bath
34. Gustave Flaubert f. The Pencil of Nature
35. Théodore Géricault h. Scenes from the Massacre at Chios
36. Jean-Auguste-Dominique Ingres i. Madame Bovary
37. Louis-Jacques-Mandé Daguerre j. The Human Comedy
Answers: 29-j (LO: 28.3), 30-d (LO: 28.4), 31-f (LO: 28.5), 32-h (LO: 28.4), 33-c (LO: 28.2), 34-i (LO: 28.3), 35-a (LO: 28.4), 36-e (LO: 28.4), 37-b (LO: 28.5)
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Identify the term that describes a harp sliding up or down the scale very rapidly
a. glissando b. sforzando c. pizzicato d. trill e. mute
The introduction of sound motion pictures in the late 1920s made it virtually impossible for filmmakers to continue making Impressionist films primarily because:
A. the introduction of sound drew film aficionados away from alternative cinemas (or ciné-clubs), which Impressionists had relied on for exhibition. B. sound production was prohibitively expensive. C. French-language films did not compete well in the world film market. D. film sound was disparaged by the movement's foremost theorists as incompatible with photogénie.
Verfremdungseffekt is defined as
A. a separation of the audience emotionally from the dramatic action. B. the purging of our aggressive desires through art. C. a world of image, sounds, and movement used to assault the senses of the spectator. D. none of the above.
Where would an oculus be found?
a. At the center of a dome b. In the wall of a temple c. As part of a Roman peristyle d. In the apse of a basilica