The concluding section of a musical work is often called
A) a fugue. B) the development. C) a coda. D) none of the above
C
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Kiefer's To the Unknown Painter (30.10) can be interpreted as a metaphor for ______________
a. life b. the artist c. constant movement and the forces of nature d. political turmoil
Whereas early Mesopotamian figures are shown with twisted perspective, Persian human figures
a. show shoulders in profile. b. have extremely large eyes. c. have their hands clasped. d. appear on bas-relief.
Discuss the role of balance in Mark di Suvero’s Declaration.
What will be an ideal response?
The debate about whether or not to allow two-dimensional pictures in the early Christian Church, was settled by __________________, who said "Painting can do for the illiterate what writing does for those who read."
a. Pope Gregory the Great b. Constantine the Great c. Alexander the Great d. Emperor Justinian e. none of the above