The German avant-garde theater of the mid-1920s became less concerned with the depiction of extreme emotions (as exemplified by German Expressionism) and more interested in:
A. the purely pictorial quality of artworks.
B. American popular culture.
C. theories of human perception.
D. the ironies of the social situation.
Answer: D
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A. suite B. courante C. minuet D. pliƩ
A structural relationship in a work of art is
A. the overall organization B. the connection of a part to the overall structure C. a perceptually distinct part or group of parts D. none of the above
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A) its wealthy and privileged citizens B) its bourgeoisie C) its intellectual and artistic elite D) its bookstores, publishing houses, and newspapers
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a) Rome b) Pisa c) Rheims d) Avignon