Compare the revolutionary cinemas of Cuba and Argentina. Identify important parallels and differences between the filmmaking (and film theory) efforts of Cuban and Argentine directors during the late 1960s and early 1970s. In what ways did these directors blend European art-cinema modernism and Third World political content? How did the political situation in each country influence the extent to which they adopted or rejected western or First World conventions?
What will be an ideal response?
Answer may vary.
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Name the term used for moving video and audio from an analog or digital videotape to the hard drive on a nonlinear editing program
a. both capture and digitizing b. capture c. laying d. digitizing
In the sixteenth century __________ music began to develop independence from vocal music
A) secular B) dance C) choral D) sacred E) instrumental
Which of the following is not true of Gregorian chant?
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