Picasso was most inspired by French artist ________, whom Picasso referred to as “the father of us all.”
a. Monet
b. Gauguin
c. Cézanne
d. Courbet
e. Manet
c. Cézanne
a. Incorrect. Picasso did not consider Monet to be “the father of us all.”
b. Incorrect. Picasso did not consider Gauguin to be “the father of us all.”
c. Correct. Picasso considered Cézanne to be “the father of us all.”
d. Incorrect. Picasso did not consider Courbet to be “the father of us all.”
e. Incorrect. Picasso did not consider Manet to be “the father of us all.”
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This musician, the most prolific composer of late-nineteenth-century program music, wrote in every genre of
nineteenth-century music, but excelled in music requiring a large orchestra (the program symphony, symphonic poem, and ballet). The musical strengths of his compositions lie in their sweeping melodies, colorful instrumentation, dramatic contrasts, and grand gestures.
a. Brahms b. Mahler c. Tchaikovsky d. Wagner e. Berlioz
This Enlightenment playwright wrote such plays as The Barber of Seville and its
sequel the Marriage of Figaro
a) Lessing b) Voltaire c) Shakespeare d) Denis Diderot e) Beaumarchais
Schumann believed that the Romantic style of music should be based on the convention and Classical restraints.
Answer the following statement true (T) or false (F)
Why is there fragmentary knowledge of Byzantine art prior to the 9th century?
a. The ottoman turks invasion of Constantinople b. the second crusade c. the iconoclasm d. the seljuk turks capture of anatolia