After the war, Elia Kazan and two New York colleagues founded the Actors Studio. They believed that Russian Konstantin Stanislavsky's Method required actors to:
A. adopt the jerky and repetitive movements of a machine.
B. prepare for roles by subjecting themselves to an intense regimen of physical training.
C. ground their performances in personal experiences.
D. "act" with their voices, rather than their bodies.
Answer: C
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