A tondo is _________.
a. a Renaissance philosophy of learning
b. the underlying structure of a stable composition
c. the grace and ease of Renaissance subject matter
d. thick layers of paint
e. a circular format in painting
e. a circular format in painting
a. Incorrect. A tondo is a format for painting, not a philosophy.
b. Incorrect. A tondo is not an underlying structure for a stable composition.
c. Incorrect. A tondo does not refer to the gracefulness and ease in Renaissance painting.
d. Incorrect. A tondo does not refer to thick layers of painting.
e. Correct. A tondo is a circular format in painting.
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Match the following:
a. mambo b. clave c. montuno d. son e. cha-cha-cha f. triplet g. downtown Latin style h. barrio i. cubop j. tumbao k. Uptown Latin style l. Desi Arnaz m. Tito Puente n. Latin percussion instruments 1. His mambo orchestra popularized Latin music through the medium of television. 2. This Cuban-inspired dance fad came after the mambo and quickly spread to the US from white Cubans in the early 1950s. 3. A fusion of Latin and jazz music. 4. A watered-down version of Afro-Cuban music intended for white audiences. 5. The most characteristic style of Afro-Cuban music which was popular in Cuba during the early 20th century. 6. Considered by Latinos to be the "king of mambo." 7. In Afro-Cuban music, a syncopated repeated phrase, usually played on the piano. 8. The Latin music hybrid that combined son with big band jazz. 9. The characteristic rhythm of Afro-Cuban music 10. This term describes the congas, bongos, maracas, and cowbells. 11. The division of a beat into three equal parts. 12. A syncopated bass pattern characteristic of Afro-Cuban music. 13. Spanish word for Latin district. 14. The sound of authentic Afro-Cuban music in the 1940s and '50s.
How does Alexander Calder use motion in his work, Carmen? How does he use color in this work? How do these two elements interact and what effect do they have?
What will be an ideal response?
Nails are driven into this object to
a) activate its power to attack wrongdoers through spirit agents. b) kill the evil spirits collected into its hollowed body. c) increase its virility as an aid for male fertility. d) simulate the hide of wild animals, imparting their strength to the tribal priest who holds the figure.
Quiara Alegría Hudes' study of musical forms and traditions and her experience as a composer strongly influenced the way she approached ________ in her playwriting.
A. stage directions B. style C. dramatic structure D. All of the above