Among other provisions, the hated Fugitive Slave Law of 1850 required northerners to
a. patrol their borders with Canada to catch runaways.
b. provide free room and board to slave-catchers upon request.
c. organize regular militia patrols to watch for escaped slaves.
d. pay high penalties and face jail if caught aiding a runaway slave.
e. compensate southerner slaveholders for escaped slaves who were not recaptured.
d
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The obligations of a patron to a client were most similar to the relationship between a(n)
a. peasant to a landlord. b. employer to an employee. c. father to his family members. d. officer to an enlisted man. e. master to a slave.
In response to the death of __________, civil rights activists proposed a march from Selma to Montgomery
a) Jimmy Lee Jackson b) Malcolm X c) James Chaney d) Robert Moses
How might Progressives' reactions to Lewis Hine's "Sadie Pfeiffer, Lancaster Cotton Mills, South Carolina" have differed from their reactions to his photo "Newsies Smoking on a Monday Morning, St. Louis, Missouri, 1910"?
A) Progressives probably would have been angry that the little girl was standing idle but amused at the young boys' antics. B) Progressives probably would have been accepting of the little girl's working under adult supervision but angry that three young boys were working without such supervision. C) Progressives probably would have felt protective of the little girl working practically alone in the big factory but would have been upset by the vice of the young boys. D) Progressives probably would have approved of the natural sunlight in the factory where the little girl worked but would have disapproved of the young boys' unhealthy cigarettes and cigars. E) Progressives probably would have feared what the future held for the young boys but would not have been as concerned about the future of the little girl.
What type of entertainment did the Frank Capra films Mr. Deeds Goes to Town and Mr. Smith Goes to Washington provide?
A) They were comedies that lampooned New Deal policies. B) They were patriotic and idealistic portrayals of the triumph of "the people" over entrenched interests. C) They were realistic docudramas about social problems. D) They were gangster movies showing gritty images of urban America. E) They were zany musicals that offered viewers a chance to forget the depression.