Yinka Shonibare's Mr. and Mrs. Andrews without Their Heads is a parody of a work by____

a. Walker
b. Golub
c. Constable
d. Gainsborough


D

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What style of jazz in the 1960s was commercially the most successful?

a. modal jazz b. free jazz c. third-stream jazz d. funky/soul jazz

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Discuss the distinction between folk spirituals and concert spirituals.

What will be an ideal response?

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Which of these composers is also a celebrated lyricist?

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